past

DUO Performance Festival 2023

Damansara Performing Arts Centre (DPAC)

Date0312/11/2023

Time8:00PM, 3:00PM


LanguageEnglish, Mandarin

CategoryTheatre

TagsMultidisciplinary

This show has ended.

from

RM60.00

Duration: 90 minutes with 15 minutes intermission

Purchase Ticket

Friday

3rd

Nov 2023

8:00PM (GMT+8)

Saturday

4th

Nov 2023

3:00PM (GMT+8)

8:00PM (GMT+8)

Sunday

5th

Nov 2023

3:00PM (GMT+8)

8:00PM (GMT+8)

Friday

10th

Nov 2023

8:00PM (GMT+8)

Saturday

11th

Nov 2023

3:00PM (GMT+8)

8:00PM (GMT+8)

Sunday

12th

Nov 2023

3:00PM (GMT+8)

8:00PM (GMT+8)

About the Show

 

 

活動詳情 📅
🎬 地點:
DPAC BLACK BOX, Empire Damansara.
🎫 票價:
👥 双人长长久久套票  RM99(限100组,日期场次可自由选择)
👤 原价单票  RM88
🧑‍🎓 学生票  RM60
場次:
第1周的2个表演   :
3 Nov (Fri) 8pm 
4 Nov (Sat) 3pm | 8pm
5 Nov (Sun) 3pm | 8pm
上半场:《笨蛋墙 Stupid Wall》|Amelia Tan // James Kan
一條線連不成兩點,組不成一個面;一道牆隔著你和我,人閡人阻隔不通。 隔閡不只距離,也包括語言、身體或生長背景,而是腦中的高牆。 圍牆裡的人只看見自己想看的,逐漸地,甚至失去與他人連結的勇氣。 這種現像不斷地在我們的日常中發酵,當一切連結都已經失效,即使站在一起也有遙遠的距離。透過情感的交織和無形的隔閡,這支舞將捕捉觀眾的心,反思人際關係中的挑戰和共鳴。
下半场:《武林50 Fifty Fifty》|洪绣晴 Linda Ang //  How Z     
此劇帶您深入探討中年女性的情感與心態變化,窺見她們內心的迷惘,以及如何面對人生轉折的複雜性。这个多才多艺的团队为这部作品注入了独特的能量和创造力。让我们一起认识这些杰出的演员和创作者,探索他们如何共同创造了这个感人的故事。   
第2周的2个表演 :
10 Nov (Fri)  8pm                                                               
11 Nov (Sat) 3pm | 8pm
12 Nov (Sun) 3pm | 8pm 
上半场:《像我這樣一個怪胎 A Weirdo Like Me》|陈偉光 Chin Wai Kong // 吴利光 Goh Lee Kwang
觀察一個特立獨行的性格如何在人生中造就獨特的成就和魅力。這部劇將探討不同的人生路徑如何豐富我們的旅程。
“像我这样一个怪胎,音乐越吵越好听。
像我这样一个怪胎,越难理解的事物越珍贵。
像我这样一个怪胎,规范越多越不妥协。
像我这样一个怪胎,行为越正常越可怕。
像我这样一个怪胎,越来越难找到同类。
像我这样一个怪胎,越来越不理解自己到底要些什么。”
下半场:《進退兩難的哈姆雷特 Hamlet’s Dilemma》|李奕翰 Anthony Lee Yee Han // 刘志海 Liew Chee Heai
犹豫不决?认知偏误?判断错误?哈姆雷特过度主观,导致他在证据不足之下策划一场又一场的夺权行动。什么样的主观意识和性格导
致哈姆雷特一步步走向失败的道路?

 

Event Details 📅
🎬 Venue:
DPAC BLACK BOX, Empire Damansara.
🎫 Ticket Prices:
👥 Festival Pass Couple Ticket RM99 (Limited to 100 sets, choose your preferred date and time)
👤 Regular Single Ticket RM88
🧑‍🎓 Student Ticket RM60

Showtimes:
Week 1:
3 Nov (Fri) 8pm
4 Nov (Sat) 3pm | 8pm
5 Nov (Sun) 3pm | 8pm

First Half: "Stupid Wall" by Amelia Tan // James Kan

A line that doesn't connect two points, unable to form a surface; a wall that separates you and me, blocking the way for people. This divide isn't just about physical distance, it includes language, body, or upbringing; it's a high wall within the mind. People inside the wall only see what they want to see, gradually losing the courage to connect with others. This phenomenon continues to ferment in our daily lives, where all connections have failed, and even standing together feels distant. Through the interweaving of emotions and invisible barriers, this dance will capture the audience's hearts, reflecting on the challenges and resonance in interpersonal relationships.


Second Half: "Fifty Fifty" by Linda Ang // How Z
Performed in Mandarin With English Surtitle 

This play takes you deep into the emotions and mindset changes of middle-aged women, peering into their inner confusion and how to face the complexities of life's turning points. This multi-talented team has injected unique energy and creativity into this work. Let's get to know these outstanding actors and creators, exploring how they have collectively crafted this touching story.

Week 2:
10 Nov (Fri) 8pm
11 Nov (Sat) 3pm | 8pm
12 Nov (Sun) 3pm | 8pm

First Half: "A Weirdo Like Me" by Chin Wai Kong // Goh Lee Kwang

Observing how a unique personality paves the way for unique achievements and charm in life. This play explores how different life paths enrich our journey.
"Being a weirdo like me, the louder the music, the better.
Being a weirdo like me, the more difficult to understand, the more precious.
Being a weirdo like me, the more rules, the less compromise.
Being a weirdo like me, the more normal the behavior, the scarier.
Being a weirdo like me, the harder it is to find like-minded people.
Being a weirdo like me, the less I understand what I really want."

Second Half: "Hamlet’s Dilemma" by Anthony Lee Yee Han // Liew Chee Heai

Performed in Mandarin With English Surtitle 

Indecision? Cognitive bias? Misjudgment? Hamlet's excessive subjectivity leads him to plot one power grab after another in the absence of sufficient evidence. What kind of subjective consciousness and personality traits lead Hamlet down the path to failure step by step?

 

Creatives & Crew
Curator 策展人:Anthony Lee Yee Han 李奕翰
Advisor 顧問 : Zoe Lee 李慧慧
Performer表演者 :                    
Amelia Tan 愛美麗亞
James Kan
Linda Ang 洪綉晴
How Z 浩子
Chin Wai Kong 陳偉光
Goh Lee Kwang 吳利光
Liew Chee Heai 劉志海
Anthony Lee Yee Han 李奕翰

Scenographer 舞台設計 :Koe Mun Yoon 高文潤
Lighting Designer 燈光設計 :Cheong Kwan Yong 張坤揚
Stage Manager  舞台監督 : Ng Yuh Ning 黃奕寧
Graphic Designer 平面設計 : Anjoey Chong 張婉凌
Publicity 宣傳 :Juno Chen 秦軍樂
Marketing / Content Creator 市場營銷/媒體內容創作 : Lam Jun Hui 林珺慧
Multimedia Content Creator / Videographer 媒體內容創作/攝影 : Ong Yih Xuan 王宇軒
Artist Management 藝人管理 : Toh Shir Ling 杜雪菱

 

Facebook Link:https://www.facebook.com/goodnewsartspace

Instagram Link:https://www.instagram.com/good_news_artspace/

Youtube Link:https://www.youtube.com/@goodnewsartspace1316

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