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Mr Lonely & Other Motivational Videos

JAZZIE LEE JIN JYE is a Malaysian Chinese multidisciplinary theatre-maker and storyteller, whose work spans directing, movement, comedy improvisation, acting, and design. 

Jazzie has collaborated with Hush The Theatre (2025) as a set designer, with Theatresauce (2021–2024) as a designer-collaborator, and with lowercase laboratories (2020–present) as co-founder and collaborator. Her directorial works include both of them were me (2022) and Forget Me Not (2024), both were devised pieces rooted in the exploration of memory; identity; and the inner world.  She is a member of the autism spectrum and finds that making theatre is her way of processing the world around her. 

In 2024, she proudly represented Malaysia at the Asian Youth Theatre Festival (AYTF) in Chiang Mai, performing a street piece inspired by the Jalan Masjid India sinkhole incidents and co-facilitating a workshop on theatre's role in addressing environmental issues.

Outside of theatre, Jazzie specializes in designing posters, presentation decks, and publicity materials. Please hire her so she can feed herself. And she's often seen with her orange glasses and asking people to go karaoke with her.

Jazzie Lee Jin Jye

Putrina Rafie

With her first dance class at the age of 4, Si Jin has never shied away from the stage since, aiming to tell stories for the rest of her life. She actively trains in musical theatre under Monday Show School since 2021 and is a recent Diploma in Performing Arts graduate in Sunway University. Most recently, she danced for lowercase labs x KSDC‘s will you be my witness?. 

She debuted in her first full-length musical, the award-winning Once On This Island, under Monday Show School as Dance Captain and ensemble. She co-devised ‘Contract’ for Howls Collective’s 24 Hours, and ‘Discord/Discard’ by Theatresauce for YSDAF 2023, both under director Kelvin Wong. She danced for Nikki Palikat’s performance of 'Depresi’ in All Stars Gegar Vaganza & ‘Panas’ in Separuh Akhir Muzik Muzik 39 and Selangor Phil’s Music from Movies & Musicals under choreographer Megan Chng. She also assistant-stage-managed Kelvin Wong’s Unsilent Mode Vol. 1.

Her film credits include acting for Emily Ong’s My Sister is a Butterfly, and Chewing Gum’s ‘Vacant’ & ‘Moth’. She has also dabbled in directing, creating a character study film named ‘Brisé’.

She has internship experiences with MSS (2023) & CloudJoi (Feb-Mar 2025). She also has experience in stage management, tech operation & producing.

Fuelled with the goal of inspiring, she loves helping others in the pursuit of finding individuality and confidence. She personifies adrenaline and shares an alter ego with MCU's Loki. She can often be found belting out tenor I Want songs and learning Broadway dance repertoire in her free time (if she even has any). 

Instagram: @thespian.en.pointe
Portfolio: https://leesijin.com/

Lee Si Jin

DEXTER ZHEN is an actor and theatre practitioner whose work spans acting, movement, directing, and teaching. He seeks to create works that delve deeply into the raw human psyche. Dexter received his acting and movement training in California, United States, and completed his directing training through Theatresauce’s Emerging Directors Lab (EDL). He is the recipient for the Best Actor Award at the 2025 BMW Shorties. 

Dexter has worked with Theatresauce, The Actors Studio/KLPAC, KongsiKL, lowercase laboratories, Howls Collective, Directors Think Tank, Aspect Ratio Studios (JinnyboyTV), Imagineers Film, PlayMonster, RTM. 

In his free time, you can find Dexter meowing at stray cats, drinking iced matcha lattes despite being lactose intolerant, or bouldering with chalky hands.

Selected theatre credits: “Beware: Si Oompur Lumpur”, “Forget Me Now”, “Titus Andronicus”, “Alu & Lesung”, “hello, can you call me back?”, “If Only”, “half full, half empty”, “nafas”, “The Widow of Fort Road”, “Dulu. Saat Itu.”, “indicinelive!6”. 

Selected screen credits: Perfect Family, Far Far Away, Allianz Insurance, TIME Internet, Digi Telecommunication, Koulan.

Dexter Zhen

Making her theatre debut in 2015 while studying entertainment arts, Wendy Wong has been involved backstage and onstage in multiple projects. She produced the “Opium” series by Tarrant Kwok with staging “Opium at Closing Time” (2022) and "Opium by Any Other Name" (2023) both at Damansara Performing Arts Centre. Her most notable performances onstage are in “IF ONLY” (2022) by Howls Theatre Co. staged at Sunway Rooftop Theatre, “First Date” (2023), a dinner show staged at Beta KL and "Mr Lonely & Other Motivational Videos" (2025) by Cosmic Tape Theatre, streaming online at CloudJoi's platform. With her collective experience in the local theatre scene, she aims to help increase the public's engagement with the performing arts through education and marketing efforts.

Wendy Wong

Winner of Innovation in Musical Theatre at the 2017’s BOH Cameronian Arts Awards for co-creating, composing, musical directing, and producing ‘Mahsuri (And Other Peculiar Tales)’ with Liver & Lung, Ian Skatu is an, Actor, Brand Consultant, Composer, Producer, Playwright.

His theatre credits include: Bendahara in The Actors’ Studio’s ‘Jebat’, ensemble in theatresauce’s ‘They All Die At The End’, Po in theatresauce’s ‘Coyotes’, inline skater in theatrethreesixty’s ‘Synesthesia’, mover in National Art Gallery’s ‘Leonardo Da Vinci Exhibit’, ensemble in theatrethreesixty’s ‘The Fall of the House of Usher’, and many more. He’s also won Best Actor for Short + Sweet 2021 @ KLPAC.

He has also composed and musical directed Liver & Lung’s ‘Malaya Relived: Penang Riots’, produced and directed ‘The Retreat’, ‘Silk & Strings: The Truth About Bullying’, and ‘The Human Exhibit’ series: Mentalhealth and Sex&Gender.

He is currently in the pursuit of helping the performance arts through his experience in Brand Consultancy. Having worked with brands like Boost, IJM Land, Snowflake, Daikin, and more, he believes that there is space to not just think about "how to market my show" but "how to brand my show" because it all begins with branding. 

Follow @ianskatu and drop a hey!

Ian Skatu

With over two decades of experience, Cheong is a versatile theatre-maker who has acted, directed, and written for some of Malaysia’s most exciting productions. From 4.48 Psychosis to Coyotes and his recent film project Mr Lonely & Other Motivational Videos, Cheong’s work spans experimental theatre, compelling storytelling, and boundary-pushing performances.
Acting credits:

THE ONE THING I DON’T HAVE RIGHT NOW (2009, Kuala Lumpur Performing Arts Centre), IONESCO X2 (2010, KLPac), BIRDY (2010, KLPac), RUBY MOON (2011, KLPac), 4.48 PSYCHOSIS (2017, Theatresauce) & directed BURIED CHILD (2010, Theatre For Young People), THE REAL INSPECTOR HOUND (2011, T4YP) & THROUGH THE LOOKING GLASS (2012, T4YP).
Directing credits:
STAGS & HENS (Electric Minds Project, 2012), THE DANNY CROWE SHOW (Electric Minds Project,2013), A LITTLE CONVICTION (Electric Minds Project, 2013)
BOUNCE experimental theatre series (Theatrethreesixty, 2014-15)
COYOTES (Theatresauce, 2022). 
Currently operates the theatre on film project, Cosmic Tape Theatre, which recently concluded its 2024 season of YouTube monologues and primary filming of his script, MR LONELY & OTHER MOTIVATIONAL VIDEOS, for which he was also director and production designer.
POLY by IAN SKATU (FSKI, 2025)

Cheong Chua

Chua Chun Cheong

Catherine Leyow

TARRANT KWOK is an ABTT-certified theatre technician. Since 2013, he's stage managed with Instant Cafe Theatre, KLCO, Anomalist Productions, theatrethreesixty, and more. He’s the backbone of many plays. operas and musicals, such as Angels in America (2015), Bare Beckett (2016), The Pillowman (2017), Fortune Kooky (2022), to Amma Chelam (2023). However, he's also a playwright - adapting The Fall of the House of Usher (2018), most recently writing and directing Opium At Closing Time in 2022 and Opium By Any Other Name in 2023. Elsewhere, he is a creative working with brands from Viu to Vivo, to World Expos.

Tarrant Kwok

Engku Armand is a producer and actor. He co-founded Amberjade Arts alongside Artistic Director Wendy Wong, and produced “Opium at  Closing Time” 2022 and “Opium by Any Other Name” 2023, both written and directed by Malaysian theatre practitioner Tarrant Kwok. Despite being a hospitality management graduate, he has also produced and acted in audio dramas with ZAG Podcasts, showcasing local Malaysian short horror stories. His most recent work was acting in a dramatic comedy show written by Scott Bergstein, staged at Michelin-starred restaurant Beta KL. His other upcoming works, Mr Lonely and Other Motivational Videos by Cheong Chua a theatre production set to be streamed on cloudjoi.

Engku Armand

Connecting People, Ideas, and Opportunities at CloudJoi Connect 2025

Stories, Cities, and Memories: George Town Literary Festival Turns 15

Building Bridges Through Movement: A Conversation with D’MOTION’s Artistic Director

Calling on the Prime Minister: ReformARTsi's 5 Demands for a Thriving Malaysian Arts Scene

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Jazzie Lee Jin Jye

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Tarrant Kwok

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Master the Art of Intuitive Living with the Silva Intuition System

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Connecting People, Ideas, and Opportunities at CloudJoi Connect 2025

Stories, Cities, and Memories: George Town Literary Festival Turns 15

Building Bridges Through Movement: A Conversation with D’MOTION’s Artistic Director

Calling on the Prime Minister: ReformARTsi's 5 Demands for a Thriving Malaysian Arts Scene