past

《欲望号街车》A Streetcar Named Desire

The Kuala Lumpur Performing Arts Centre (klpac)

Date1927/03/2022

Time8:00PM, 3:00PM


LanguageMandarin

SubtitleEnglish

CategoryTheatre

Duration: 180 minutes

This show has ended.

from

RM70.00

All Fees Included

Ticketing

Saturday

19th

Mar 2022

8:00PM (GMT+8)

Sunday

20th

Mar 2022

3:00PM (GMT+8)

Tuesday

22nd

Mar 2022

8:00PM (GMT+8)

Wednesday

23rd

Mar 2022

8:00PM (GMT+8)

Thursday

24th

Mar 2022

8:00PM (GMT+8)

Friday

25th

Mar 2022

8:00PM (GMT+8)

Saturday

26th

Mar 2022

8:00PM (GMT+8)

Sunday

27th

Mar 2022

3:00PM (GMT+8)

About

A Streetcar Named Desire, Tennessee Williams’ iconic award winning play, was first produced in 1947 and was later made into an Academy award-winning film.

It describes the decline and fall of a fading Southern Belle, Blanche Dubois, who leaves behind a privileged background and moves into a shabby New Orleans apartment with her younger sister, Stella. The main themes of the play are loneliness, frustration and the desperate need for communication by people who are society’s misfits.

After playing Stanley in a 1969 production at the National Theatre in Perth, Australia, director Joe Hasham went on to direct a critically-acclaimed staging for The Actors Studio in 1993 which sold out even before opening night. He made waves again with a bold dance drama adaptation of the play in 2014 which starred two Japanese prima ballerinas.

He will now be directing a Mandarin adaptation of the Pulitzer Prize-winning play featuring an A list team of actors including Ruby Faye, Aki, John Tan, Tan Li Yang and more. 

Advisory: The show contains mature content, smoking on stage, and depictions of physical and sexual violence.

由艺人馆全民剧场呈献,祖·哈山(Joe Hasham OAM)将执导美国剧作家田纳西·威廉斯(Tennessee Williams)经典作品《欲望号街车》中文版,演出将于2022年3月19日至27日假吉隆坡表演艺术中心贰剧场上演。

美国剧作家田纳西·威廉斯(Tennessee Williams)是20世纪重要的剧作家之一,其舞台剧本《欲望号街车》首演于1947年,并一举斩获当年的普利策(Pulitzer Prize)、纽约戏剧评论奖等戏剧大奖。后来改编成电影版的《欲望号街车》也深受好评,狂揽奥斯卡包括最佳电影在内的多项提名。

祖·哈山于1969年凭斯坦利一角站上澳大利亚珀斯国家剧院的舞台。1993年,祖·哈山为艺人馆执导舞台剧《欲望号街车》,门票早在开演前已全部售罄。2014年,祖·哈山更大胆以舞蹈剧场的方式呈现《欲望号街车》,他甚至远赴日本招募两位首席芭蕾舞者,演出在当时再次掀起波澜。

故事的主人公布兰琪是典型的南方淑女,但后来经历家道中落、婚姻失败、工作挫败等等一连串的打击,而被迫投靠住在北方的妹妹斯黛拉和妹夫斯坦利一家。然而,娇生惯养的布兰琪与性格野蛮粗暴的斯坦利逐渐产生冲突。布兰琪与斯坦利的好友米奇互生情愫,但斯坦利却把布兰琪的丑闻一一揭开,让努力维系自己美好假象的布兰琪,走在幻灭的边缘……

由导演兼艺术总监祖·哈山领军,由实力派演员如狄妃(戏炬奖最佳女主角)饰演白兰琪、陈玤妤饰演斯黛拉、陈浚(马来西亚电影节最有潜质男演员)饰演斯坦利、陈立扬(戏炬奖最佳男配角)饰演米奇,四位领衔主演,其他演员阵容包括曾帤惠、陈风励、杨宏强、陈语欢、李浩峰、杜雪菱、王子航及梁兆雯。

《欲望号街车》全剧以中文演出,附英文字幕。欲知演出详情,欢迎WhatsApp联系0182277212或可浏览官网 www.klpac.org 及购票网址 www.cloudtix.co 。观众严禁在票务柜台购票,观众皆凭电子票入场。

** 本演出含成人情节、吸烟场面、肢体及性暴力情景。

Early Bird Promotion 早鸟优惠  (ends 28th Feb 2022):  
RM70 Flat 


Seating Plan


Conditions of Entry

Fully-Vaccinated 
Either 2 doses + 14 days (Pfizer, AstraZeneca & Sinovac) or 1 dose + 28 days (Johnson & Johnson and Can Sino) with valid MySejahtera Digital Certificate (no screenshots / photo proof)

Health Status
Only low risk (no symptoms) or casual contact (no symptoms) on MySejahtera

Venue reserves the right to deny entry if above conditions are not fulfilled. No refund will be made to those who have purchased ticket(s).

Covid-19 Related SOPs

klpac has comprehensive Covid-19 measures including vaccination verification and health status screening, compulsory mask-wearing, pre and post-show Covid-19 testing for the cast and crew, physical distancing measures, sanitisation and disinfection, visitor education, going contactless and staff training.

For the latest Covid-19 & SOP guide, go to http://bit.ly/klpac_covid19_updates.

klpac & TAS’ Covid-19 Relief Fundraising

klpac & TAS’ losses due to Covid-19 have exceeded RM2 million and its venue has been deprived of audiences for 377 days. It requires a minimum of RM130,000 per month to stay afloat. Each ticket sold goes toward this immediate cause. You can also make a donation of any amount via https://www.klpac.org/donations/

Buy Tickets
Online Purchase: https://www.cloudtix.co
No phone sales and over the counter sales. E-tickets only.

Enquiry / Group Booking
WhatsApp +6018 227 7212 


Creatives & Crew

Executive Producer 监制 | Dato’ Dr. Faridah Merican
Artistic Director & Director 艺术总监与导演 | Joe Hasham OAM
Assistant Director 副导演 | Amelia Tan 爱美丽亚
Dramaturg 戏剧顾问 | Omar Ali
Translator 剧本翻译 | Minami Khoo
Scenographer / Lighting Designer & Operator 舞美设计与灯光设计 | Yusman Mokhtar
Sound Designer 声音设计 | Christopher Higgs
Set Designer 舞台布景设计 | Ziying Chua 蔡紫滢
Set Builder 舞台布景制作 | Paul Hasham
Costume Designer 服装设计 | Beatrice Looi
Hair Stylist 发型 | Woo Mei Ling 胡美玲
Production & Stage Manager 制作经理与舞台监督 | Catherine Lee 李佳静
Stage Management Team 舞台监督组 | Hendrix Heng 王子航, Jiann 周怀鉴 , Shu Jing 黄嫊晶, Tao Xin 张桃馨, Liew Yi Teng 刘意婷
Technical Supervisor 技术主管 | Mathanakumar Murthi
Technicians 技术人员 | Boy, Mohd Helmi Md Khairi

Cast 演员 | Ruby Faye 狄妃, Aki 陈玤妤, John Tan 陈浚, Tan Li Yang 陈立扬, Amelia Chen 曾帤惠, Freddy Tan 陈风励, Dylan Yeo 杨宏强, Yu Huan 陈语欢, Dennis Lee 李浩峰, Toh Shir Ling 杜雪菱, Hendrix Heng 王子航, Joven Leong 梁兆雯
Composers 作曲 | Coebar Abel, Jacqueline Teng 邓絜予, Toh Shir Ling 杜雪菱

Group General Manager : Ian Chow 
General Manager (Marketing Communications) : Ang Yue May 
Assistant General Manager (Theatre & Technical Management) : Lawrence Selvaraj 
Assistant General Manager (Admin, Finance & Production) : Easee Gan
Technical Manager : Mike Thomas 
Technical Supervisor :
Mathanakumar Murthi
Technician : Mohd Helmi Md Khairi
Production Stage Manager : Catherine Lee, Yeo Kok Wei 
Production Assistant & Academy Assistant : Hendrix Heng
Publicity & Marketing Manager : Maggie Ong
Senior Art Director : Joel Wong 
Creative Producer : Coebar Abel
Publicist : Vishallini Vikram Gopal
Box Office Supervisor : Jennifer John 
Box Office Executive : Vaideggy Vijayasagaran 
Assistant Account Manager : Esther Kuan 
Head of Academy & Administration : Yusintha Zemira
Personal Assistant to Artistic Director : Farah Nadia
Maintenance Manager : Sathish Kumar
Maintenance Supervisor : Selva Rajoo
Security Manager : Mahendra Karuppiah
Security Supervisor : Balasubramaniam Ganapathy
Senior Security Officer : Shandre Sakran Kumaravale
Security Officers : Balasivasubramaniam Arunasalam, Jayaganesh Ramankrishnan, Nadarajan Maruthamuthu

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