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<img src="https://cdn.cloudjoi.com/79097/v4-compressed.jpg" title="" alt=""><p>Alex, grappling with repeated setbacks in various entrepreneurial endeavors, starts to question his purpose and self-worth. Steven experiences a profound sense of disorientation and burnout, having single-mindedly pursued a future that now seems uncertain. Meanwhile, Kai finds himself overwhelmed by the dual demands of a burgeoning career and tumultuous relationship issues.&nbsp;</p><p>Together, as they face these personal crises, their friendship offers a crucial support system, though not without its own tensions and conflicts. Through their journey, 'We'll Be Fine' explores themes of self-acceptance, purpose, the multifaceted nature of relationships, and the resilience required to navigate the unpredictable currents of life.</p>

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In &#039;We&#039;ll Be Fine,&#039; Alex, Steven, and Kai navigate the turbulent waters of adulthood, leaving behind the carefree days of their youth. The story delves deep into their struggles with identity, the fear of failure, and the crushing pressures of societal expectations.

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Star-Eyed Collective

We’ll Be Fine

Experimental Theatre, Taylor’s University Lakeside Campus, Selangor

Selangor

Abner Goh is a Malaysian theatre artist and filmmaker drawn to stories that wrestle with the complexity of the human psyche. His journey began in 2017 with CPAC’s Alice’s Wonderland, and since then, he has worked across acting, directing, and production, always in search of something honest.

As president of Taylor’s Society of Performing Arts (2022) and Taylor’s Filmmaking Club (2025), Abner initiated The Theatre Project and TFM’s Filmmaking Initiative, platforms for original student works. He went on to direct and perform in the musical A Serve and A Swing (2023), and served as stage manager for Theatresauce’s KAKUREGA during that same year.

In 2024, he founded Star-eyed Collective, an independent arts collective focused on emotionally resonant storytelling. That same year, he directed We’ll Be Fine, a devised play exploring fractured friendship and growing up, under the collective’s banner.

His past acting works include Happy Days: A New Musical (2018), CPAC’s Dames and Dimes (2019), Popup Theatre’s Sherlock Holmes in the Missing Script (2019), Purple Disc Production’s Made in Subang (2024), SPART’s Prophecy of Blood (2024), EJKLSSeni’s Sometimes We Find Comfort in Lonely Spaces (2024), Monday Show Entertainment’s Next to Normal (2024), and Studio 52’s You Are My Rock (2024).

In 2025, Abner will direct two short films he has written. We Were Something is an intimate drama about grief and repression. Us or You and Me is a romantic drama about holding on to love when it no longer fits.

Abner’s work often returns to the same questions: What do we run from? What do we ache for? And what does it mean to be seen by someone, even for a moment? He creates to understand, and hopes his stories leave space for others to feel understood too.

Abner Goh

Klang Valley

Wendy Seto is a multimedia designer and filmmaker whose work is deeply inspired by her lived experiences and the influences that shaped her growing up. She won a Bronze Award in the ASEAN-China Short Video Competition for her piece A Message from Bali (2021). Her theatre journey began behind the scenes at the SPART Festival 2022, later expanding to performance and production roles, including her involvement in The Theatre Project and the original musical A Serve and A Swing, where she served as Marketing Director, Designer, and Stagehand. She also co-founded Star-eyed Collective in 2024 and served as Production Manager and Assistant Stage Manager for their debut production, We’ll Be Fine.

Wendy Seto

Maisarah Sufian

Amier

Syed Mahiaan

Nick Chua

Amni Marsha is a theatre and film enthusiast who loves to put herself to work behind the scenes. Although she first started with an acting role in her school’s drama competition, she began expanding into bigger productions with Society of Performing Arts @ Taylors (SPART)’s A Serve and A Swing (2023), initially with a smaller role of stage crew and eventually became assistant stage manager in the same play. Today, she continues to be shackled by the chains of being a stage manager, never straying away from the role (or more like the role always chasing her down) in other productions, namely Star-Eyed’s We’ll Be Fine (2024) and SPART’s Prophecy of Blood (2024). 

While most of her background surrounds theatre, Marsha tries to get out of her comfort zone by delving into film whenever she can, usually in varying roles that allows herself to learn more about film. She also shares a strong passion for music, spending her extra time as Head of Quartermaster in Taylor’s Music Club (she often explains it as being stage manager for music). 

Despite theatre, film, and music not being related to her bachelor's degree, it serves as an escape for Marsha in her life, being surrounded by artists and people who are passionate about what they do. It inspires her to be more than what she is, pushing her to try to believe in herself, to reach for the stars and one day, hopefully working on a project of her own.

Amni Marsha

Dhakshu is a multi-disciplinary performer, working actor, model and third-year Bachelor of Performing Arts student at Taylor’s University & The Actor’s Studio (TUTAS). Balancing both her academic journey and professional career, she has already carved a space in the Malaysian entertainment scene, with a diverse portfolio spanning theatre, film, television, dance, and commercials.
As a working actor, her screen credits include lead and supporting roles in short films, television productions, and a strong slate of high-profile commercials. She has worked in three (with two more upcoming) advertisements under the Ministry of National Unity Malaysia’s campaigns, along with various commercials for personal care, beauty, and food & beverage brands. Currently, she is actively working on a number of independent short films, further expanding her on-screen experience.
Her theatre experience is equally dynamic, with lead roles in productions such as Friday the 13th performed at DPAC, and notable performances in Wherefore Thou Art Juliet (KLPAC) and the award-winning Sand The Musical.
She's trained in Bharatanatyam, contemporary, hip-hop, and girl’s style, with performance credits at the SEA Games 2017 Opening Ceremony, Oh Blue I Love You Too (KLPAC), and Sunway Lagoon's Nights of Frights series. She continues to expand her repertoire through live shows and music video performances.
Her commitment to her craft has been recognized through her participation in award-winning productions, including the 13th BOH Cameronian Arts Award-winning Sand The Musical and the Short and Sweet Malaysia 2024 festivals, where her teams received accolades for both theatre and dance.
As a 1st Dan Black Belt in Aikido, she brings a distinct physicality and versatility to her performances, seamlessly blending acting, dance, and martial arts to deliver impactful storytelling across mediums.

Dhakshu

A passionate young Malaysian actress and content creator who has worked in multiple stage plays and short films. 

Her most recent works in theatre include her roles as Stephanie in "We'll be fine" and Sasha in EJKLSseni's Sinis-thesia. 

As for the roles she's played in short films, she's played Li Ying in the short film "Jalan" which has won best inspirational film in the 15 minutes of fame indie film festival.

Eunice Koh

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We’ll Be Fine

RM25.00, RM30.00, RM110.00

RM25.00

RM25.00, RM30.00, RM110.00

RM25.00

In 'We'll Be Fine,' Alex, Steven, and Kai navigate the turbulent waters of adulthood, leaving behind the carefree days of their youth. The story delves deep into their struggles with identity, the fear of failure, and the crushing pressures of societal expectations.

Performers & Creatives

Abner Goh

Wendy Seto

Maisarah Sufian

Amier

Syed Mahiaan

Nick Chua

Amni Marsha

Dhakshu

Eunice Koh

Ticketing

8:00PM (GMT+8)

8:00PM (GMT+8)

8:00PM (GMT+8)

8:00PM (GMT+8)

8:00PM (GMT+8)

About

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