Building Bridges Through Movement: A Conversation with D’MOTION’s Artistic Director

Presented by Damansara Performing Arts Centre (DPAC), the D’Motion International Dance Festival returns from 23–26 October 2025. This long-awaited edition continues its mission to connect local and international artists through contemporary dance, featuring performances, site-specific works, and masterclasses.

Audiences can look forward to MYBody, a showcase of Malaysian choreographers; the International Gala, featuring duets from Taiwan, Korea, Hong Kong, and the UK; and Dancing in Place, a collaboration with local universities that brings dance into public spaces. Plus, 20+ masterclasses led by festival artists for all levels.

Special thanks to the Taipei Economic and Cultural Office in Malaysia and the British Council Malaysia for their support in fostering cross-cultural artistic exchange.

We spoke with the Artistic Director about what inspired the festival’s return, its evolving direction, and how D’Motion hopes to make dance more approachable for everyone.

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Dr. Wong Jyh Shyong (JS)
Artistic Director of D’MOTION International Dance Festival 2025

After a long pause, D’Motion International Dance Festival is finally returning. As Artistic Director, what inspired you to bring it back this year, and how has the focus or direction changed — especially with the balance between international exchange and the new MYBody segment for local dancers?

JS: I’ve always wanted to revive D’Motion. There aren’t many platforms in Malaysia, especially in the Klang Valley, that highlight international dance while creating space for local artists to grow. Staying connected to what’s happening globally is important for the development of dance here. This year, we’re continuing that spirit through the International Gala, featuring works from Hong Kong, Korea, Taiwan, and the UK. But we’ve also added MYBody, a new programme celebrating six acclaimed Malaysian choreographers. It’s about building visibility for Malaysian dance and connecting our artists with international festivals, while giving audiences a sense of the creativity and diversity we have at home.

From a global perspective, what is the most significant conversation or trend you hope D’Motion ignites within the larger Asian dance community through the mix of artists you’ve brought together?

JS: There’s often a perception that only countries with long dance histories or stronger arts funding set the standard. But in recent years, many Asian artists and small companies have gained global recognition — including those in this year’s lineup. We also have Malaysian artists who meet international standards and deserve to be seen on the same stage. D’Motion celebrates that mix, showing how dance can be both universal and deeply rooted in culture. This year’s festival also features Dancing in Place, curated by MyDance Alliance, where emerging dancers perform in public spaces around DPAC. Plus, a series of masterclasses led by both Malaysian and international artists aims to support professional growth and creative exchange.

Contemporary dance can sometimes feel intimidating to newcomers. What would you say is a good way for audiences to approach and appreciate it?

JS: Contemporary dance isn’t as abstract as people think. Many artists use familiar elements like autobiographical stories, traditional movements, objects, or pop music. These details help audiences connect with what’s happening on stage. Contemporary dance is not limited to a single style — it often integrates ballet, Indian classical dance, Malay traditional dances, and more, reflecting the varied training backgrounds of the dancers. For newcomers, Dancing in Place is a great entry point. The performances take place in familiar public spaces, so audiences can experience how dance interacts with everyday surroundings.

Between directing the entire festival and performing your own solo, you must run on pure adrenaline. What is one unexpected item — maybe a favourite snack, a specific song, or a quirky habit that serves as your source of energy or calm when you’re caught in chaos?

JS: I often find myself stretching or doing a dance move for no particular reason — it's a bit of a dancer's habit. For example, I’ll randomly get up from my desk and split my legs or spin into a few pirouettes (ballet turns), just to see how many I can manage in that moment. Over time, it has become a way for me to take a break whenever work feels overwhelming. If I’m near nature, I’ll seek out a spot where I can see trees or greenery. Somehow, being surrounded by nature helps me feel refreshed and re-energised, ready to return to my work.

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Whether you’re a dancer, creator, or curious audience member, D’MOTION is a chance to see how movement connects people and cultures.

D’MOTION International Dance Festival 2025
🗓️ 23–26 October
📍 Damansara Performing Arts Centre (DPAC)
🎟️ Tickets and full festival details here.