"人與政權的鬥爭，就是記憶與遺忘的鬥爭。"——米蘭昆德拉

兩個房間，兩個人。
不記得什麼時候開始、什麼時候結束;
不記得如何進來、如何離開;
也不記得為什麼不記得了。

她雖然腦袋忘記了，但身體還記得，
還記得忘記之前天上飛過的一隻鳥，像是派來帶走她的。

他其實一直都記得，但希望她忘記，
雜亂的衣服像是熄滅她記憶裡的燈，含糊而碎片的美好幻想。

當那間小房子被發現時，他已經死去了好幾天，死因有待查證。
初步鑑定他年齡約 50 多歲。被發現時他身邊放著一本陳舊的筆記本，
裡頭兩種筆跡，寫著多首詩歌、畫作與故事。
一個整齊娟秀、一個瞭亂粗獷。

卜卜劇場首次線上演出，將其作品《下人》解構重塑，一場生還者與犧牲者間的對話與相惜，為時下遍布各地的民主鬥爭譜寫革命詩歌。

“The struggle of man against power is the struggle of memory against forgetting” - Milan Kundera

Two rooms, two persons.
Not remembering when it started, and when it ended;
Not remembering the entering, or the departing;
Not remembering why not remembering.

Although her mind has forgotten, her body remembers,
Remembering a bird that has flown in the sky, as if sent to take her away.

He actually remembers all this time, but hoping that she would forget,
messy clothes are like a light that dims her memory, a vague and fragmented beautiful fantasy.

When the small house was found, he had been dead for several days, the cause of death yet to be verified. He was about 50 years old, from preliminary findings. He was found with an aged notebook next to him. It had two kinds of handwriting and many poems, drawings and stories. One is neat and elegant, the other is messy and raw.

Pitapat Theater presents its first online performance, deconstructing and reconstructing its work "Kakak". It is a dialogue and mutual appreciation between the survivors and the victims, penning a revolutionary poem for today’s democratic struggles.

Pitapat Theatre

The Room 記忘錄